The Pipeline

The AI and new media briefing for TV and film production — what works, what doesn’t, and why.

A biweekly newsletter. One article every two weeks, written for people shaping creative and production decisions. Get insider knowledge.

Latest Article

Article 08 · September 14, 2026 · By Elena Lyubarskaya & Dr. Tim Kraft

Using AI in Film and TV: Legal Aspects to Consider

A practical walk through the legal points that come up when a production uses AI: what each one is about, why it matters, and how it tends to get handled.

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Format

One article, every two weeks

Not a links roundup. Not a tips list. One topic per article, examined from inside the production process.

Content

Production problems, real budgets

Written for professionals with deep craft experience and no background in machine learning. German production frame, always.

Perspective

From inside the pipeline

Not predictions. Not hype. Working knowledge from a team that builds AI production workflows for real projects.

Who We Are

The Difference Machine is a Berlin-based production company that works where narrative craft meets AI. We develop and produce original projects across formats. We run a studio for production companies covering development, visual effects, and AI pipeline integration. We teach the methodology through workshops and a cohort-based course. The methodology is the creative core. AI is the production layer.

Elena Lyubarskaya (Disney+, ZDF, SERIAL EYES, over twenty years in the industry) / Milad Mesof (thirteen years in compositing and VFX, Cloud Atlas, Beauty and the Beast) / Anna Gorodetskaya (AWE Award, immersive production).

The Pipeline

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